How we mix a new glaze
Notes from a month of tests, tiles and one happy accident.
The studio began in a garden shed with a second hand wheel and a kiln that needed coaxing. We now work from a bright workshop with three potters and a very patient cat.
Send us a photograph and we will replace it at no cost.
Every piece starts as a lump of local stoneware clay. We throw it, trim it, dry it slowly and fire it twice, first to bisque and then to nearly thirteen hundred degrees.
